Caroline Shaw

Caroline Adelaide Shaw is a New York-based musician appearing in many different guises. Trained primarily as a violinist from an early age in North Carolina, in 2013 she became the youngest ever winner of the Pulitzer Prize for Music for her enigmatic composition Partita for 8 Voices (also nominated for a 2014 Grammy for Best Classical Composition). She made her solo violin debut in 2015 with the Cincinnati Symphony (MusicNOW), became the inaugural musician in residence at Dumbarton Oaks in the fall of 2014 and will be the Composer in Residence for two years (through 2016) with Vancouver’s Music on Main. Caroline has performed with ACME (American Contemporary Music Ensemble), the Trinity Wall Street Choir, Alarm Will Sound, the Mark Morris Dance Group Ensemble, the Knights, Victoire, the Yehudim and many others. (She has also appeared incognito as a backup singer and violinist on Saturday Night Live with Paul McCartney, Letterman with The National and the Tonight Show with the Roots.) While committed to maintaining a busy freelance career as a violinist and singer performing primarily contemporary classical music, she has taken commissions to create new work for the Carmel Bach Festival, the Cincinnati Symphony, the Guggenheim Museum (FLUX Quartet), The Crossing, and the Brooklyn Youth Chorus. Other personal projects include the development of an evening-length theater work, Ritornello, and a slowly-evolving ambient electronic album. Caroline studied for fifteen years with Suzuki violin pedagogue Joanne Bath before working with Kathleen Winkler at Rice (B.M. violin) and Syoko Aki (M.M. violin) at Yale. She is currently a doctoral candidate in composition at Princeton. She has been a Rice Goliard Fellow (busking and fiddling in Sweden) and a Yale Baroque Ensemble fellow, and was a recipient of the infamous Thomas J. Watson Fellowship to study historical formal gardens and live out of a backpack for a year. As a teenager many years ago, she spent a life-changing summer playing chamber music at Kinhaven Music School in Vermont, which is probably why she would prefer to perform barefoot whenever possible. Caroline loves the color yellow, avocados, otters, salted chocolate, kayaking, Beethoven opus 74, Mozart opera, the smell of rosemary and the sound of a janky mandolin.

← back